Filming techniques included fragmented, discontinuous editing, and long takes. The films exhibited direct sounds on film stock that required less light. Using portable equipment and requiring little or no set up time, the New Wave way of filmmaking often presented a documentary style. The associated Left Bank film community included directors such as Alain Resnais, Agnès Varda, Jacques Demy and Chris Marker. Along with Truffaut, a number of writers for Cahiers du cinéma became leading New Wave filmmakers, including Jean-Luc Godard, Éric Rohmer, Jacques Rivette, and Claude Chabrol. This was apparent in a manifesto-like 1954 essay by François Truffaut, Une certaine tendance du cinéma français, where he denounced the adaptation of safe literary works into unimaginative films. These critics rejected the Tradition de qualité ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. The term was first used by a group of French film critics and cinephiles associated with the magazine Cahiers du cinéma in the late 1950s and 1960s. The New Wave is often considered one of the most influential movements in the history of cinema. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. Rebellion, New Hollywood, New German Cinema, Cinema Novo, Dogme 95, British New Wave, New Sincerity, Mumblecoreįrench New Wave ( French: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. Italian neorealism, film noir, classical Hollywood cinema, poetic realism, auteur theory, Parisian cinephile culture, existentialism, Alfred Hitchcock, Art film Jean-Luc Godard, Alain Resnais, Agnès Varda, André Bazin, Jacques Demy, François Truffaut, Éric Rohmer, Claude Chabrol, Jacques Rivette For other uses, see Nouvelle Vague (disambiguation). For the music group, see Nouvelle Vague (band). The area's origin story formed the basis of the saying, "Paris 'learned to think' on the Left Bank"."Nouvelle Vague" redirects here. As he and his followers populated the Left Bank, it became famous for the prevalence of scholarly Latin spoken there. In the 12th century, the philosopher Pierre Abélard helped create the neighborhood when, due to his controversial teaching, he was pressured into relocating from the prestigious Île de la Cité to a less conspicuous residence. The Latin Quarter is situated on the Left Bank, within the 5th and 6th arrondissements in the vicinity of the University of Paris. Some of its famous streets are the boulevard Saint-Germain, the boulevard Saint-Michel, the rue Bonaparte, and the rue de Rennes. The phrase implies a sense of bohemianism, counterculture, and creativity. Scott Fitzgerald, James Baldwin, and dozens of other members of the great artistic community at Montparnasse. Toklas, Renee Vivien, Edith Wharton Pablo Picasso, Arthur Rimbaud, Paul Verlaine, Henri Matisse, Jean-Paul Sartre, Ernest Hemingway, F. The Left Bank is associated with artists, writers, and philosophers, including Colette, Margaret Anderson, Djuna Barnes, Natalie Barney, Sylvia Beach, Erik Satie, Kay Boyle, Bryher, Caresse Crosby, Nancy Cunard, Hilda Doolittle (H.D.), Janet Flanner, Jane Heap, Maria Jolas, Mina Loy, Henry Miller, Adrienne Monnier, Anaïs Nin, Jean Rhys, Gertrude Stein, Alice B. Part of Paris, France, delimited by the Seine river The arrondissements of Paris with the river Seine bisecting the city.
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